In the second part of Neuromancer, we get a sense that something has been sketched with Molly gathering up a gang to do something and the passage about terrorists and media by the sociologist. Part III, Midnight In The Rue Julies Verne, further develops the plot with introduction of more characters especially wintermute, who seems very significant to the plot. Gibson uses a very interesting strong diction with words that have many religious, social connotations and also lots of technological terminology. In part III, there is reference to Rastafarians, which refers to Rastafarianism, a movement that originated in the 1930s in Jamaica, which involves the hairstyle called “dreadlocks,” the hope for blacks to return to Ethiopia by Marcus Garvey. And in part II, the word mandala has religious connotation. A mandala is a complex Buddhist symbol, often in circular form. The description of spiral arms alludes the arms of distant galaxies, unreachable by any current technology. Other words such as “rue” is a french word for street or lane and “Vingtième Siècle” are French words for Twentieth Century. These words also contribute to creating a powerful imagery.
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